Thundercat: “Evangelion”/”We’ll Die” Video
Directed by: Mochilla
Tag Archives: B+
Thundercat: “Evangelion”/”We’ll Die” Video
Guilty Simpson & MED featured MCs. Quakers is a 35-person hip-hop collective, centered around three producers – Fuzzface (Geoff Barrow), Katalyst (Ashley Anderson), and 7Stu7 (Stuart Matthews). Quakers 41-track album is out now on Stones Throw.
Video Director: Eric Coleman; Cinematography: Jerry Henry; Editor: Laith Majali; Cameras: Jerry Henry, B+, Mike Park.
KCRW, Stones Throw Records, and The Lucie Foundation present…
An Evening of PHOTOGRAPHY and MUSIC
Featuring the photography of:
B+ | Eric Coleman | Joao Cañziani | Viviane Oh
Madlib (DJ) | Peanut Butter Wolf (VJ) | Jonti (live) | Gary Wilson (live) | Jonwayne (live)
Featuring the MOPLA Silent Auction to benefit
Lucie Foundation’s at-risk youth photography program, SNAPSHOP!
(Silent auction closes at 10pm)
PLUS: A special projection by the Los Angeles Times & Pro’jekt LA Part One AND: A Preview of the Create:Fixate Snap Flash Exhibition.
A portion of the proceeds raised will be donated to the Pablove Shutterbugs.
Tickets: $25.00 available at http://mopla.eventbrite.com/
An official MOPLA event.
Quantic and Alice Russell will be performing LIVE on a heavy heavy lineup including the Robert Glasper Experiment feat. Bilal and King in Los Angeles on Wednesday, March 21st, 2012. SECOND SHOW ADDED: Tickets Available: www.evfamusic.com | RSVP on FACEBOOK
Thursday, March 22nd, 2012 SOLD OUT
M.E.D. – Blaxican (Official Video HD – Stonesthrow) Directed by Eric Coleman (Mochilla)
Produced by Madlib, from the album “Classic”
Director: Eric Coleman (Mochilla); Editor: Luke Lynch; Camera Operators: Coleman, B+, and Mike Park; Producer: Marybell Chavez
Save the date: Thursday, October 20th Mochilla & Hit+Run present “MOCHILLA REMIXED” at the Townhouse Gallery in Venice. Some of our favorite visual artists have flipped the classic Mochilla logo, originally designed by Stephen Serrato – check out Augustine Kofie’s version (included). On opening night, these logo remixes will be on display alongside iconic photographs by Mochilla founders B+ and Coleman. Each has selected specia…l photo selects from their vast collection for this exhibition that runs from October 20th-November 12th.
•Participating Mochilla Logo Remix Artists:
Aaron De La Cruz
Also running alongside the show will be a pop-up shop with our recent releases and a few classic selects. Keep an eye out for some very special limited edition Mochilla gear that will only be available the night of the show. Don’t miss the opening night after party next door at the Del Monte Speakeasy with surprise guests! We’ll be celebrating our recent Timeless Remixed project on our “Feito Em Casa” Mixes.
• 7pm-10pm* Art Exhibition : Townhouse Gallery
• 10pm-2am* After Party: (Two Doors East) Del Monte Speakeasy
MOCHILLA REMIXED After Party
Live Performance by
Bei-Ru (Beat/DJ Set)
Ever since we started working on the Thundercat record we’ve all been listening to the living legend, George Duke so much!
Our friend B+ (Mochilla) put together a mix dedicated to his amazing catalog…
Feel. George Duke 1971-1980
Thundercat’s recent cover of For Love I Come inspired me to have a listen again to the amazing music of George Duke. When most of the records on this mix were made it was an extraordinarily creative time in LA. A family of musicians were bringing new rhythms, new instruments, new humor, new international influences to jazz. CannonBall was an important figure and his partner David Axelrod – but the new arrivals Airto Moreira and Flora Plurim were also instrumental and then George Duke from the Bay Area who had collaborated with Frank Zappa.
George Duke has been an inspiration to hip-hop for many many years… Back in 1991 an album came out called Low End Theory by A Tribe Called Quest. You may know the name for another reason but anyways on a song called The Infamous Date Rape Tribe sampled Steam Drill by Cannonball Adderley featuring George Duke and we were off to the races. Ice Cube sampled Duke for True to the Game from Death Certificate that same year. Since then many more beat heads have been attracted to Mr. Dukes amazing keyboard playing, sense of rhythm and unique lyrical stylings. Dilla has definitely listened as has Madlib, Pete Rock, Kanye, Karriem Riggins and now well Thundercat, who for all his youth has actually played with George Duke.
This mix is in tribute to George Duke as it is in celebration of Thundercat.
I think we are in a similarly creative moment now in LA as existed in the mid seventies and it seems fitting to make the link.
Good musicians will make you listen again and
ThunderCats For Love I Come surely made me do that.
DOWNLOAD on BRAINFEEDER
right click [ctrl] and “save link as” or follow link to listen
Once a month, Braza! is taking a faithful crowd on a musical trip around Brazil to explore the rhythms and sounds of Samba, Funk, Batucada, MPB, Broken Beat, Tropicália, Hip Hop, Forró, House, Boogie, Soul, Drum ‘n’ Bass, Disco, Jazz, Bossa Nova, and so much more this great country has to offer.
Whether it’s Kento playing his recent finds from a Brazilian family visit or Vanka and Elan playing the contemporary rhythms of Baile Funk and Brazilian house you’re guaranteed to see groups of Brazilian transplants moving and socializing. But what gives Braza its lively reputation and charm is the addition of live Brazilian percussion players, iconic Brazilian images being projected onto SOM’s wall, and even food carts serving up native delights.. The party achieves the difficult task of not only bringing the sights, sounds, and tastes of Brazil but most importantly a spirit that usually can only be found 6,476 miles away.
Special Guest: B and Eric Coleman (Mochilla, LA)
Hosted by Antonio Guedes
Music & video clips taken from Obrigado Dilla – A tribute to Dilla at the Brasilintime premiere show at SESC Pompeii in Sao Paulo.
VTech and Mochilla have collaborated on many groundbreaking musical events, but the pinnacle was in 2009 with the amazing Timeless Series that was brought to Los Angeles. It truly was the beginning. Where musical borders were no longer seen as obstacles, and where composer arrangers who were once overlooked were wholeheartedly embraced. From the series, celebrated Brasilian composer/arranger was one of three, and now, we find the Timeless series traveling to Arthur’s home country in fitting fashion.
J.Rocc, Coleman and B+ will be in Sao Paulo from February 9-11th screening at the Espaco Unibanco de Cinema and then on the 16-18th at the Unibanco Arteplex Botafogo in Rio de Janeiro. Each film will be screened individually and also J.Rocc will have a chance to do his special Timeless Serato Mega-Mix. There will be Q&As each night with special friends dropping by to contribute.
Share the info, share the music, share the experience. And as always, “Turn it Up!!”
Timeless : Trailer : Brasil
Sao Paulo February 9th, 10th, 11th
Rio De Janiero Feb 16th, 17th, 18th
*follow link to watch timeless brasil trailer: http://music.vtechphones.com/2011/01/this-february-timeless-screens-in-brasil
and so is big brother, thanks for this golden image Banksy, one of my favorites. 1984isims. ++ congratulations to you and to Mochilla on the Oscar Nomination for “Exit Through the Gift Shop” read more on the film/nomination HERE.
[copy & paste to browser to dig deeper: http://news.bbc.co.uk/local/bristol/hi/people_and_places/arts_and_culture/newsid_9373000/9373020.stm]
• Join us as we celebrate the release of “Take Me With You” on Friday, February 4th in Los Angeles!
DJ Numark’s : “Take Me With You”
listening party 9pm-10pm | record release party 10pm-2am
presented by Mochilla
• Friday Feb 4th 9pm-2am | 21+
• FREE before 10pm
$10 All Night + CD for the first 50 people
$4 Rum/Maracuya Special (keepin’ it tropical!)
• e3rd : 734 East 3rd Street
Los Angeles, CA 90013
“Take Me With You” is Available NOW on: http://mochilla.com/shop
»»» Read On + View Video at http://www.hiphopdx.com
these two exclusive downloads are sneak-peak gems from Mochilla to you in celebration of the 10 years of Mochilla double CD coming out in 2011* Both are mixed by Eric Coleman of Mochilla. Right click on the link [save link as..], download, enjoy and TURN IT UP!!
VTech is proud to present, A Decade of Mochilla, an epic mixtape, spanning Mochilla’s 10 Years Mixed into one mixtape and shared with you in two parts. This is Part One…
Mochilla is really more than ten years old. It was 1998 when Coleman and I explained to our Mexican producer on the set of the Control Machete video for Ileso that we would only shoot with the equipment that fit in our backpack. It was a Jansport (for clarity!). He replied… “Oh ok, you guys are the Mochila guys, Mochileros”. Of course we loved the word mochilla (the Spanish for backpack) but apparently didn’t know how to spell it thus the two Ls!
In 2001 we released our first project commercially under that name. Keepintime was a photo-essay that under the tutelage of Adam Glickman at Tokion became a short film. He initially thought of it as a piece to put on that new thing – the internet. But when it ended up being 12 minutes long we decided it was too long so we made a VHS to sell – we pressed up a thousand and they flew out the door.
Keepintime: Talking Drums and Whispering Vinyl became a Film Festival favorite and then the calls started. In the ten years since then Mochilla has grown. We have an office now and a micro staff of dedicated, talented people. We have travelled the world, made films about all kinds of music, crossed all kinds of boundaries, worked with people from 5 to 95 years of age and we are having a lot of fun the process. Along the way we have made an archive of photos, videos and audio. It is filled with glorious performances, tough breaks, ambitious harmonies and a lot of soul.
Early in 2011 we will be releasing a two CD Mix of these performances – one live and one live in studio.
As a seasonal gift to our friends at VTech we have decided to sneak you this first 20 minutes of the first volume. This is truly only a sneak peak in to the vast musical vaults of Mochilla. Coleman has sat thru many hours of music, digging in and around multi-tracks of kicks, snares and scratches. It is almost unfair to try to encapsulate all of this wonderful music into 2 CDs, but he did. Next week we will have another 20 minutes from the second CD, the studio sessions.
There’s a lot of memories here. A lot of magic.
Download, enjoy and you know – turn it up!
The response to the first part of this mix has been incredible. Thank you for all the support and retweeting, reposting. Mochilla loves the love. Part two here today for download is stepping the game up and to quote Coleman “I wanted this mix to slap everyone in the face and get them to pay attention.” It is purely rhetorical of course, our version of a slap in the face is the caress of bossa nova, the thump of cumbia or the heart stopping wind sucking gaps of great syncopation. This mix has all of that.
Remember of course these are 20 minute teasers for the full mixes coming in 2011.
Just a quick note on the photo that we used on the cover – I snapped this one at the great “La Marcha” way back in 2001. It was taken in the Zocalo in Mexico City and Maldita Vecindad were performing in solidarity with the EZLN. The kid on his friends shoulders with the El Che shirt embodies all that we wanted Mochilla to be way back in 01 – engaged, excited, energetic and happy. Our brother and design guru Keith Tamashiro flipped it into our first logo and Stephen Serato has reflipped it into our 10 year mix cover.
This will warm your ears, brighten your heart and remind you of the strength of good music, download, hit play and you know – turn it up…
Thanks for all your support and happy holidays,
for TRACK LIST please visit http://music.vtechphones.com
Short film displaying Seu Jorge’s and Almaz new record as seen by friend and uber amazing director Khalil Joseph. Much love to @missjodie (The Model) quite a fantastic ending to pt.1. Can’t wait for pt.2!!!
[Click HERE or on Image to view Slideshow]
The Petronio Alvarez Festival is a 5 day music event and competition held annually in Cali, Colombia. By a process of application and selection over 90 groups are invited each year to compete for the winning title. Across several evenings, bands perform in different musical categories as five judges mark them on appearance, composition, delivery and sound. The diversity is astounding, but all music presented is rooted in the traditions of the Pacific: marimba lead currulao from the south of the coast, home made violins from cauca and cutting dual-clarinet chiramia music from the choco region. As well as strictly folkloric groups, the festival also plays host to more urban interpretations of the Pacific sound, fusing tradition with salsa, reggaeton and rap. The Petronio experience is band focused, but the crowd give so much to the event, a great sense of unity and pride is shared by all who attend. A songline sung on stage soon becomes a thousand strong sing-along echoing around the shaky concrete frame of the bull ring it is held in.
People arrive ready to represent their origins in the Pacific and both celebrate and illuminate African heritage in Colombia. The festival also serves as a tremendous opportunity to see groups from rural regions who often travel several days by water and road to get there. It would be near impossible to see such a cross section of groups at any time of the year without traveling for several months by boat throughout the Pacific rivers and jungles, a part of Colombia increasingly known for its guerilla and paramilitary presence.
The Petronio Alvarez festival, relatively speaking, is still in its infancy. But like so many events of its kind, commerciality and business interests can so quickly change the aesthetics beyond recognition. For the meantime, Petronio remains an event for the people, people who for a long time have been excluded or isolated from mainstream Colombian identity. It’s not the most organized event, nor the biggest, but it’s certainly one of the most vibrant live music experiences you’re ever likely to experience.
Will “Quantic” Holland,
Cali, Colombia August 2010.
Click HERE or follow link(s) below to view slide show and listen to the fabulous audio from the Petronio Alvarez festival in Cali, Colombia!!!
*Full Screen: http://music.vtechphones.com/video/4683/fullscreen
Gothic Futurism http://www.gothicfuturism.com
*Great Article on: The Wire
S K E T C H B O O K
:: F R E E ! ! ! ::
Bring a Pen.
Shine/share your light.
Listen to Amazing Music.
Live Performances by:
Hypnotic Brass Ensemble
Miguel Atwood-Ferguson Ensemble
DJ Sets from:
1154 Glendale Blvd.
Los Angeles Ca 90026
$15 presale :: $20 at the door
Presale tickets available online at: http://www.ticketweb.com
21 + wiser | 9pm-2am
*for more information please visit: http://music.vtechphones.com
Hypnotic Brass Ensemble
Hypnotic Brass Ensemble are a family, literally. They are the heirs to the great musical tradition of Chicago. Their father Phil Cohran trained them from aged three to play hard, fast and together. They boast a fan base as wide and eclectic as Barack Obama, David Byrne, Q-Tip, Jay-Z, Erykah Badu, Jools Holland and thousands more. Now with the news that they along with Mos Def and drummer extraordinaire Tony Allen will form the new Gorillaz outfit, you realize that this is no ordinary collective.
The Hypnotic Brass Ensemble (HBE), a band comprised of eight brothers, all sons of Sun Ra trumpeter and songwriter Phil Cohran, have been playing since they were three years of age and have inherited a lineage deeper than most bands will ever attain. Raised on the south side of Chicago, their musical heritage is rooted in their genes. They have brothers and sisters that are professional musicians, their mothers are singers and their father, Phil Cohran, a legendary visionary and teacher has music experiences from the 1940s in St. Louis to his seminal role with Sun Ra in Chicago in the 1950s.
As Sun Ra moved to the east coast in 1960, Cohran stayed behind in Chicago to be with his family. As his children grew, Cohran worked as a musical activist and educator, which led to the establishment of the Sun Ark in a warehouse behind their family home. At night while the children slept, they would hear their father rehearsing with his band the ‘Circle of Sound.’ At six in the morning, they were awoken to practice music for several hours before going to school. From an early age they were a central part of their father’s Youth Ensemble. At night they listened to NWA and Public Enemy, and Ice Cube and Eazy-E were their heroes.
By the end of the nineties, with everyone out of school, they concentrated on their music full time. With a mix of their jazz roots and their hip-hop sensibility, they made a living for themselves on the streets of Chicago. While performing on a subway platform, they stumbled upon their name when a man who watched them for hours, missing train after train, proclaimed that he has been “hypnotized” by their music. With their composer skills aiding them to create a sound wholly their own, the group moved to New York City where they played with Mos Def and Erykah Badu.
From a chance encounter in November of 2005, and support from numerous artists, the Hypnotic Brass Ensemble has released an album brimming with musical magic. Recorded on the back of the Africa Express trip to Lagos last October, during a three-day stop-over in London, with the drummer’s stool shared by Malcolm Catto from the The Heliocentrics, Sola Akingbola from Jamiroquai, and the one and only Tony Allen, and other musical luminaries Flea and Paul Simenon, this album is all that is cracked up to be and more.
In May 2009, Blur and Gorillaz’s frontman Damon Alburn’s Honest Jon label dropped the Hypnotic’s first official full length studio album to accolades the music world over. With the sound, form, and structure in their musicianship and songwriting, the HBE have the ability to put on live shows that would put veteran bands to shame.
Video: Hypnotic Underground: http://vimeo.com/3010228
Video: Mercury (War) http://vimeo.com/1418890
The New Yorker: Hypnotic Brass Ensemble Documentary:
Born into a highly intellectual and creative family that exposed him to everything from classical to Motown to Jazz, Miguel Atwood-Ferguson has been dedicated to music literally his entire life. At age four while on a visit to a Suzuki Program Institute his brother was attending, Miguel was introduced to the violin and immediately developed an affinity towards it. He began composing at 12 and after high school studied classical viola performance at USC.
Taking an unusual route for a string player, Miguel has been adamant about pursuing deeply involving and creative roles in the music making process such as composing, writing and producing original pieces. He has recorded with a vast array of legendary musicians from Ray Charles to Billy Higgins; he has performed with Stevie Wonder and at the Grammy’s, on MTV and BET.
In 2008 he took on the daunting task of adapting the late J Dilla’s music to the orchestral format and made his debut as a conductor at the Timeless: A Suite For Ma Dukes concert where he directed an orchestra performing his Dilla-inspired compositions. One of the most unique qualities about Miguel is his inherent need to challenge himself and master new terrains, he has various different groups he performs with and one day he hopes to build his own orchestra.
Madlib is one of the most ambitious and engaging figures in modern hip-hop history. An enthusiastic crate-digger and multi-instrumentalist with a deep reverence for jazz and soul, Madlib has an expansive style and deft touch for composition that makes him one of hip hop’s most sought-after producers.
He began his career with hip-hop trio Lootpack, who debuted on Tha Alkoholiks’ 1993 album 21 & Over; but, it is through his decade-long relationship with Stones Throw Records that he diversified his musical output. Often shying away from the limelight, many of his releases have been under various aliases.
In 2000, he released The Unseen under the guise of his alter-ego, Quasimoto. He followed up a year later with Yesterdays New Quintet, a project that infused his exploration of jazz with electronic style and hip-hop substance.
Since 2003, Madlib has put out several releases reflecting his growing versatility: Shades of Blue, a jazz remix project for Blue Note; Champion Sound with J Dilla under the name Jaylib; and Madvillainy, his partnership with MF Doom. In 2008, he released Sujinho under the name Jackson Conti—a collaboration based around Brazilian percussionist Ivan “Mamão” Conti on Mochilla.
*for more information please visit: http://music.vtechphones.com
visit the event on Facebook: http://www.facebook.com/event.php?eid=200724042032